Peter Gabriel - I/O 2024
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| № | Title | Duration |
|---|---|---|
| A1 | Panopticom | |
| A2 | Playing For Time | |
| A3 | The Court | |
| B1 | Four Kinds Of Horses | |
| B2 | I/O | |
| B3 | Love Can Heal | |
| C1 | Road To Joy | |
| C2 | So Much | |
| C3 | Olive Tree | |
| D1 | This Is Home | |
| D2 | And Still | |
| D3 | Live And Let Live | |
| E1 | Panopticom | |
| E2 | Playing For Time | |
| E3 | The Court | |
| F1 | Four Kinds Of Horses | |
| F2 | I/O | |
| F3 | Love Can Heal | |
| G1 | Road To Joy | |
| G2 | So Much | |
| G3 | Olive Tree | |
| H1 | This Is Home | |
| H2 | And Still | |
| H3 | Live And Let Live | |
| CD1-1 | Panopticom | |
| CD1-2 | The Court | |
| CD1-3 | Playing For Time | |
| CD1-4 | I/O | |
| CD1-5 | Four Kinds Of Horses | |
| CD1-6 | Road To Joy | |
| CD1-7 | So Much | |
| CD1-8 | Olive Tree | |
| CD1-9 | Love Can Heal | |
| CD1-10 | This Is Home | |
| CD1-11 | And Still | |
| CD1-12 | Live And Let Live | |
| CD2-1 | Panopticom | |
| CD2-2 | The Court | |
| CD2-3 | Playing For Time | |
| CD2-4 | I/O | |
| CD2-5 | Four Kinds Of Horses | |
| CD2-6 | Road To Joy | |
| CD2-7 | So Much | |
| CD2-8 | Olive Tree | |
| CD2-9 | Love Can Heal | |
| CD2-10 | This Is Home | |
| CD2-11 | And Still | |
| CD2-12 | Live And Let Live | |
| BD-1 | Panopticom | |
| BD-2 | The Court | |
| BD-3 | Playing For Time | |
| BD-4 | I/O | |
| BD-5 | Four Kinds Of Horses | |
| BR-6 | Road To Joy | |
| BD-7 | So Much | |
| BD-8 | Olive Tree | |
| BD-9 | Love Can Heal | |
| BD-10 | This Is Home | |
| BD-11 | And Still | |
| BD-12 | Live And Let Live | |
| BD-13 | Panopticom | |
| BD-14 | The Court | |
| BD-15 | Playing For Time | |
| BD-16 | I/O | |
| BD-17 | Four Kinds Of Horses | |
| BD-18 | Road To Joy | |
| BD-19 | So Much | |
| BD-20 | Olive Tree | |
| BD-21 | Love Can Heal | |
| BD-22 | This Is Home | |
| BD-23 | And Still | |
| BD-24 | Live And Let Live | |
| BD-25 | Panopticom | |
| BD-26 | The Court | |
| BD-27 | Playing For Time | |
| BD-28 | I/O | |
| BD-29 | Four Kinds Of Horses | |
| BD-30 | Road To Joy | |
| BD-31 | So Much | |
| BD-32 | Olive Tree | |
| BD-33 | Love Can Heal | |
| BD-34 | This Is Home | |
| BD-35 | And Still | |
| BD-36 | Live And Let Live |
Informācija
Credits:Artwork [A Small Painting Of What I Think Love Looks Like] – Antony Micallef
Artwork [Additional Artwork] – Derek Edwards (5)
Artwork [And Still (Time)] – Megan Rooney (2)
Artwork [Chroniques Avec La Nature] – Barthélémy Toguo
Artwork [Colour Experiment No. 114] – Olafur Eliasson
Artwork [Conexión De Catedral II] – David Moreno (16)
Artwork [Mes Voeux Avec Nos Cheveux] – Annette Messager
Artwork [Middle Finger In Pink] – Ai Weiwei
Artwork [Red Gravity] – David M. Spriggs
Artwork [Snap] – Cornelia Parker
Artwork [Somewhere Over Mercia] – Henry Hudson (5)
Artwork [Soundsuit] – Nick Cave (3)
Artwork [The Burning Of Lifting The Curse] – Tim Shaw (12)
Design Concept – Marc Bessant
Design Concept – Peter Gabriel
Engineer [Additional Engineering By] – Dom Shaw
Engineer [Additional Engineering By] – Faye Dolle
Engineer [Additional Engineering By] – John Foyle
Engineer [Additional Engineering By] – Stefano Amerio
Engineer [Assistant Engineering By] – Dom Shaw
Engineer [Assistant Engineering By] – Faye Dolle
Engineer [Engineering By] – Dom Shaw
Engineer [Engineering By] – Katie May (2)
Engineer [Engineering By] – Oli Jacobs
Engineer [Orchestral Assistant Engineering By] – Luie Stylianou
Engineer [Orchestral Assistant Engineering By] – Tom Coath
Engineer [Orchestral Engineering By] – Lewis Jones
Engineer [Pre-production Engineering And Development By] – Richard Chappell
Graphic Design – Marc Bessant
Lacquer Cut By – Matt Colton
Mastered By – Matt Colton
Mixed By [Bright-Side Mix By] – Mark Stent
Mixed By [Dark-Side Mix By] – Tchad Blake
Mixed By [In-Side Mix: 3D Audio Sound Treatments And Dolby Atmos Mix By] – Hans-Martin Buff
Photography By [Back Cover Photography Courtesy Of] – NASA/JPL
Photography By [Portrait Photography] – Nadav Kander
Photography By [The Burning Of Lifting The Curse] – Steve Tanner (3)
Producer [Produced By] – Brian Eno
Producer [Produced By] – Peter Gabriel
Producer [Produced By] – Richard Russell
Recorded By [Dolby Atmos Additional Recording Assistance By] – Bob MacKenzie (4)
Recorded By [Dolby Atmos Additional Recording Assistance By] – Dom Shaw
Recorded By [Dolby Atmos Additional Recording Assistance By] – Faye Dolle
Recorded By [Dolby Atmos Additional Recording Assistance By] – Louis Rogove
Words By, Music By – Peter Gabriel
Notes:-an orange OBI strip
-a 12'' 56-page hardback book
-a 60cm x 90cm poster
-a green bookmark with a download code for 16/24-bit Bright-Side and Dark-Side Mixes
The CDs and the Blu-ray are inserted into pockets integrated into the inner back cover of the book.
Artwork on the outer box is printed with iridescent silver foil.
LP 1+2, CD1 and Blu-ray Audio (96kHz 24-bit Stereo) = Bright-Side Mix
LP 3+4, CD2 and Blu-ray Audio (96kHz 24-bit Stereo) = Dark-Side Mix
Blu-ray Audio (Dolby Atmos) = In-Side Mix
The 4 LPs are packaged each in a single cover.
The inner record sleeves are poly-lined plain white (LP 1+2) and black (LP 3+4) paper.
Different track listing order between the LPs and the CDs / Blu-ray.
Runouts are all etched besides the hyphens and the Pallas catalog numbers, which are stamped.
On side D of LP2 the A is ”overwritten” by the D.
