Vinila plates
Olev Muska – "New Estonian Waltzes" (2025) Vinila plates, LP, Album, *r*, *e*, *s*, *u*, *o*, *i*, *T*, *q* formātā. Oficiāls izdevums no Glitch Please, izdots 2025. Šis izdevums būs interesants Electronic, Folk, World, & Country un Experimental, IDM, Folk, Breakcore, Glitch mūzikas cienītājiem. Vinila plates pārdošanā — pieejama iegādei tiešsaistē.
Olev Muska - New Estonian Waltzes 2025
Olev Muska – "New Estonian Waltzes" (2025) Vinila plates, LP, Album, *r*, *e*, *s*, *u*, *o*, *i*, *T*, *q* formātā. Oficiāls izdevums no Glitch Please, izdots 2025. Šis izdevums būs interesants Electronic, Folk, World, & Country un Experimental, IDM, Folk, Breakcore, Glitch mūzikas cienītājiem. Vinila plates pārdošanā — pieejama iegādei tiešsaistē.
Publicēt komentāru
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Izlaiduma informācija
Izdots:
2025
Izpildītājs: Olev Muska
Formāts: Vinila plates
(
LP, Album, *r*, *e*, *s*, *u*, *o*, *i*, *T*, *q* )
Valsts: Estonia
Izdevniecība: gl15tchv
(Glitch Please)
Svītrkods: 8721215572879
Ierakstu saraksts
| № | Title | Duration |
|---|---|---|
| A1 | Oige ja vasemba / Right and Left | |
| A2 | Jooksupolka / The Running Polka | |
| A3 | Marupolka / Mad Polka | |
| A4 | Veimevaka jagamine / Distributing the Dowry | |
| A5 | Vändra polka Dinky | |
| A6 | Vändra polka | |
| A7 | Kükitamistants / The Squatting Dance | |
| A8 | Lõke lennuväljal / Corroboree On the Tarmac | |
| B1 | Orja palk / Wages Of a Slave | |
| B2 | Laulu võim / The Power Of Song | |
| B3 | Mis see kiike kriunub / What's That Swing Creaking? | |
| B4 | Ilus neiu kiigel / Pretty Girl On a Swing | |
| B5 | Saaremaa / The Island Of Saaremaa | |
| B6 | Siil, kost sa silmä' sai'! / Hedgehog, You Got Eyes on Me! | |
| B7 | Hüppetants / The Hopping Dance | |
| B8 | Sõit põhja / Race To the Bottom |
Informācija
Notes:40 years after Old Estonian Waltzes (1985), Olev Muska returns with a time-warped sequel: familiar tracks reimagined, new pieces born from the same folklore-glitch alchemy. It’s nostalgia spiked with voltage — Estonian tradition filtered through decades of circuit-bending, tape hiss, and outsider futurism. The past dances again, but the beat is even stranger now.
